The first
image we looked at was the ‘Uncle Sam Range’ advertisement poster from 1876 by
Schumacher & Ettlinger and the second was a British propaganda poster from
the First World War by Savile Lumley in 1915.
This ‘Uncle
Sam’ image is an American advertisement promoting a range of cookers by use of
patriotism and western power. The first thing that hits you is the colour
scheme: Red, white and blue have never hit you so hard before coming across
this poster. Different tones of each colour are used for a variety of shades to
make it blend in more with the atmosphere of the picture.
This poster
is definitely promoting an idea to sell their product and that is the American
dream. Highlighting this, we can see that the target audience is middle-class
and lower class citizens in the United States, this is obvious because of the
characterization within the image. All of the people are wealthy, it’s a family
unit but also an aspect pushes this out a bit more – the impact of slavery.
Having a slave back in the time of this image’s publication was a status symbol
of wealth and power, which would clearly be admired by the middle/lower class.
There are small details of this image which subliminally would make the
audience feel proud of their country and feel as if buying this cooker would
make an impact on their lifestyle. The
use of type is also a clear representation of its American theme.
Savile’s
poster is iconic in war propaganda history. Using emotional persuasion, this
poster has an objective of encouraging the rate of recruitment for the Great
War, which works an absolute treat!
The
characterization of this piece consists of two children and their father timed
after the War had ended and supposedly won by the Brits. The daughter is sat on
the father’s knee with what looks like a history book or story whilst
interrogating the father on what he did in the war. The son is sat playing with
little toy soldiers which throws in a practical idea of what they are
discussing.
The most
important part of this image is the father’s emotion. The story/feelings what
his face is telling is of shame, emphasized by the typeface at the bottom of
the poster displaying “ Daddy, what did YOU do in the Great War?” in a
scripted font. The emphasis of “you” in this sentence engages the viewer and
triggers an interaction with the image to think like the father in the poster.
Both of these
iconic forms of propaganda are a real success in relation to their target audiences
and the feelings they provoke. Which in mind are completely different:
Schumacher’s poster promotes a feeling of patriotism and sells it’s product
adding values of a better life and a more American way of living in positive feelings.
Whilst Savile’s image uses persuasion and guilt to make people engage with and
follow the poster’s description.
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